while this last waterfire was blessed with beautiful weather and wonderful crowds, there’s never such a thing as a perfect busking day. but let’s start with some fun things before we get to ranting.
part of the great social media resurrection is trying to come up with content besides my usual busking videos. i decided to record my makeup process [and post the video at triple the speed, because no one is interested in watching fifteen minutes of me putting makeup on my face]. i plan to record a better video, maybe this saturday if i have my shit together enough for any extra stuff between riding and busking. but i think this one is still a fun glimpse at my person-to-statue transformation.
now that i’m not wrestling with my hair and a wig anymore, i severely overestimate the amount of time it takes me to get ready. with my delightfully simple headscarves, i can go from pajamas to full costume in less than half an hour. this has resulted in me arriving in providence a bit earlier than necessary, which isn’t the worst thing, but those first 30-45 minutes can be slow. i need to work on my timing so i’m in place no earlier than 6:30, maybe even closer to 7:00 for these summery late sunset times.
but at least justin is able to use those slow times to get lots of photos and videos [if you’re following me on instagram, you’ve seen a lot of those pre-sunset video clips]. it’s also the ideal time for my new artist fan, julia, to sketch me. i was lucky enough to cross paths with her and chat for a bit at the basin lighting last, where i was producing two of TEN31 productions’ gargoyles for the private event. she is as sweet as she is talented, and i’m excited to share her sketches with y’all. i rarely get to see peoples’ drawing/paintings of me, so this is such a treat for me.
as i so often do, i brought some aches and pains with me to this waterfire. i performed with a sprained ankle, and a thoroughly fucked up neck/shoulder from a muscle i pulled a week prior. to add insult to injury, i managed to step in some chewed gum while walking to my pitch, and i was dealing with my skirt sticking to my shoe the entire night. and, of course, the persistent wind was making my eyes tear up and tickling my nose, so i spent the entire evening stifling sneezes and wondering how bad my makeup looked. when you see a living statue struggling to hold a pose, i want you to think about the difficulties they might be experiencing in that moment. none of us are going to be perfect at all times, especially as outdoor buskers. but all these troubles fade away when i’m getting hugs from children, or when people are amused by my mischievous approach to posing with people for photos, or when i accidentally scare the shit out of someone when they realize i’m not actually a statue.
now, i have two mini rants from this waterfire. one is about animals. i swear i don’t mean to keep babbling on about pets, but damn it, these things just keep happening. this one’s not about snakes [i’m happy to say i didn’t see that guy the entire time i was up], but about dogs.
i love dogs. i’ve owned dogs most of my life. dog training is a hobby i’ve enjoyed since i was in elementary school. i love seeing dogs at waterfire. lily wants to pose with all your dogs for photos. but what i don’t love is seeing reactive dogs at waterfire. before sunset, there was a family with a yellow lab who camped out to my right for a long time. this poor dog was barking and lunging at every other dog who passed by, regardless of whether or not they even paid attention to the lab. this kind of reactivity is very common in the modern dog population of america. my own dog has reactivity issues, and we’ve been actively working on correcting these issues for years. i would never even consider bringing shorty to waterfire. this is a crowded place with lots of people, lots of dogs, lots of noise, just general terrifying chaos for a nervous animal. it’s stressful for the dog, and it’s irritating as hell for anyone who has to listen to the dog bark. and let me tell you, labs have big booming barks. every time another dog walked by, i’d be jumping out of my skin from the lab barking behind me. it boggles my mind that this dog’s owners would bring him there in the first place, let alone allow him to bark and lunge with barely any attempts to redirect him or calm him down. i was relieved [and also felt bad] when the lab eventually noticed me and started totally freaking out about the moving statue, forcing the family to leave. folks, please just leave your reactive dog at home. you aren’t doing them any favors by bringing them into these kinds of situations.
on a completely different note, i want to talk a bit about other buskers. in the hours before sunset, it’s not unusual to see lots of musicians along the canal. and that’s awesome. i enjoy these buskers, especially when they set up in the area of my pitch so i can listen to them play before the waterfire music starts. what i don’t understand is when musicians try to busk in the vicinity of the canal after sunset. do you guys not realize how much your music is competing with the canal’s speaker system? at this lighting, there was a small band directly across from me on canal street, arriving way after sunset. they were playing music i might have enjoyed if my ears weren’t being assaulted by the battle of sound. justin said they weren’t even playing consistently, they’d play a song, stop for quite a while, play another song, take another long break… why? if you want to busk, go find a pitch suitable for your performance. if you just want to show off a song or two, do so where people might actually be able to enjoy it. otherwise, what’s the point?